What you’ll learn
- Be able to explain the difference between a spec and a commission, film and television, and describe the development process from logline to polish and who reads a script in what order.
- Have chosen two lanes from the real routes, with the years and money of each, and found their first deadlines.
- Have a ninety-day writing schedule, two readers, and a clear picture of the body of work that opens doors by year three.
- Know what the first paid work looks like, what an option is, where the Writers' Guild and Pact minimum terms live, when an agent takes you on, and why being paid is not being produced.
- Have a saved plan with what you will finish, the competitions and schemes with their deadlines, three people to approach and a review date, and be able to say MFJF's five Stage 1 statements honestly for a writer's road.
Where this leads
By the end you will have written your own Stage 1 plan, checked yourself against MFJF's five Stage 1 statements, and know exactly what to do next: a mentor clinic, an Academy workshop, and Stage 2, the HotList.
Finish the course and you can build your personal plan: MFJF's three-stage planner for this role, ticked from Your Profile and your CV, with dated next steps and the CV line each one becomes.
What a screenwriter does, and how the work reaches the screen
20 minSpec versus commission, film versus television, the development process from logline to polish, and who actually reads your script.
- readWhat a screenwriter actually does8 min
- readThe development process, and who reads you8 min
- checkCheck: the job and the process4 min
The routes, with the years and the money
20 minThe spec script, the competitions and schemes, shorts, theatre and radio, the development desk and continuing drama, each with how long it takes and what it pays, and a task that picks your two lanes.
- readThe spec script, the competitions and schemes, and shorts8 min
- readTheatre, radio, the development desk and continuing drama7 min
- taskTask: pick your two lanes and find their deadlines5 min
Day one to year three
20 minThe craft you can practise from today, the software, how many scripts it really takes, feedback that speeds you up, the body of work by year three, and a schedule with dates.
- readCraft: format, structure, dialogue, rewriting and the software8 min
- readHow many scripts, who reads them, and the body of work6 min
- taskTask: your writing schedule and your first feedback loop6 min
Getting paid
20 minWhat the first cheque looks like, what an option is, staged payments, where the Writers' Guild and Pact minimum terms live, agents, and the difference between being paid and being produced.
- readThe first cheque, options, stages and the minimum terms8 min
- readAgents, and being paid versus being produced7 min
- checkCheck: the money and the agent5 min
The industry around you
20 minProducers, development teams and commissioners, the funders, the competitions worth entering and the test for any, what the people in the case studies did, and the library for the years ahead.
- readProducers, development teams, funders, competitions and the case studies7 min
- resourcesThe screenwriter's library8 min
- checkCheck: the industry around you5 min
Your plan
20 minThe plan you take away, the signs that you are moving, MFJF's five Stage 1 statements adapted honestly to a writer's road, and what to do next on MFJF.
- plannerYour plan10 min
- readHow you know you are moving, and what to do next6 min
- checkCheck: ready for the road4 min
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